Artist statement
My photographs begin with time spent in a place—watching the weather, following the movement of light, and waiting for the landscape to reveal something that cannot be repeated.
I am drawn to scenes with a strong sense of scale and atmosphere: expansive wilderness, quiet waterways, changing forests, desert stone, and the structures we build within the landscape. The camera records the initial encounter, but the artistic process continues in the digital darkroom, where each image is carefully developed to express not only how the place appeared, but how it felt to stand within it.
Nearly all of my finished photographs are created at exceptional resolution. Many begin as multi-row, multi-column sequences that are stitched into a single panoramic image during development. Every work is prepared for print at 300 ppi, preserving the fine detail, tonal structure, and clarity required for truly large-scale presentation.
The Alabama Hills panorama, for example, was assembled from more than 200 individual frames. At its native print resolution, the finished image measured more than 120 inches wide.
Photography has also deepened my responsibility to the places I visit. My field practice is guided by Leave No Trace principles and respect for the landscapes, wildlife, and communities that make this work possible.
